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Vancouver band PISS released its debut album, you made me / skin on linen, on Sub Pop. The just-over-30-minute record combines abrasive punk instrumentation, Taylor Zantingh’s vocals and lyrics, and recordings of feminist thinkers to address sexual violence, autonomy and trauma.
Vancouver quartet PISS has released its debut album, you made me / skin on linen, through Sub Pop, developing a live set the band had performed for two years into a record about sexual violence, trauma and personal autonomy. The album runs just over 30 minutes and pairs forceful punk instrumentation with lyrics by vocalist Taylor Zantingh and recordings of feminist thinkers and activists.
The band consists of Zantingh, guitarist Tyler Patterson, bassist Gavin Moya and drummer Garreth Roberts. Stereogum’s “Band To Watch” report describes the album as an arrangement of guttural vocals, jagged guitars, heavy bass and drums, alongside spoken-word samples. The record moves between these elements rather than presenting its subject through lyrics alone.
It opens with children describing what they hope to become as adults. On the following track, “i wanted to be a singer,” Zantingh’s lyrics reflect on how sexual violence can reshape a person’s sense of the future and the story they are able to tell about themselves. Later recordings include feminist writer Andrea Dworkin discussing her argument about pornography and human rights, philosopher Manon Garcia speaking about the Gisèle Pelicot case and sexual violence, and author Toni Morrison discussing morality, self-forgiveness and grace. Those recordings are part of the album’s design; the source does not present them as endorsements of the band.
Stereogum reports that PISS performed the same set for two years before adapting a version of it into the album. The publication also interviewed the band over Zoom while its members were preparing to travel for a tour. Zantingh said she had recently lost her voice at a show in Toronto and was using vocal exercises and health precautions ahead of further performances.
A Punk Record on Autonomy
The album places questions about sexual violence and its effects within an intense musical form, making the contrast between abrasive sound and carefully framed ideas central to the work. Its samples bring several feminist perspectives into the same listening experience, while Zantingh’s lyrics focus on the impact violence can have on identity, memory and a person’s imagined future.
For listeners following new punk releases, the development also marks a shift from a set developed and played live into a debut album on Sub Pop. That gives a wider audience access to the band’s material in a fixed recorded form. The record’s subject matter includes trauma and sexual assault, and its confrontational sound and themes may be difficult for some listeners.
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From Repeated Set to Debut
Stereogum presents PISS as a Vancouver quartet whose project grew around a specific artistic vision. The band played the same set for two years; the album adapts a version of that work for release by Sub Pop. The available source does not give a detailed account of the band’s formation or a complete release and touring schedule, so broader claims about its career are not established here.
In the interview, Zantingh described her approach to performance as intuitive, while saying that the lyrics involve extensive thought. She recalled first screaming in a punk band as a teenager and later studying creative writing as an undergraduate. She also described her voice as closely connected to the project’s subject matter and said that maintaining it requires warm-ups, cool-down exercises and attention to her health.
“For two years, PISS performed the same set. Now, a version of it has become their debut album for Sub Pop.”
— Stereogum’s report on PISS
Release and Tour Details
The source confirms the album’s title, Sub Pop release and broad themes, but does not specify its exact release date, provide a full track list or detail the complete tour itinerary. It also does not establish how the band’s live arrangements differ from the recorded versions. Stereogum reported that Zantingh had lost her voice at a recent Toronto show and was preparing for upcoming performances; the interview does not confirm whether that affected later dates.
Upcoming Live Performances
The band was preparing to continue touring when Stereogum spoke with its members, and Zantingh said she was doing vocal exercises and monitoring her health after losing her voice at a Toronto show. The available report does not identify the next confirmed date or say whether the tour schedule changed. Further performance information and details of the album’s reception may clarify how the live set develops after the record’s release.
Key Questions
Who are PISS?
PISS is a Vancouver quartet comprising vocalist and lyricist Taylor Zantingh, guitarist Tyler Patterson, bassist Gavin Moya and drummer Garreth Roberts.
What is the band’s debut album called?
The album is titled you made me / skin on linen and was released through Sub Pop, according to Stereogum.
What subjects does the album address?
The record explores sexual violence, trauma and personal autonomy, using lyrics and recordings of feminist thinkers and activists alongside punk instrumentation.
Which voices are sampled on the album?
Stereogum identifies recordings of Andrea Dworkin, Manon Garcia and Toni Morrison, discussing topics including pornography and human rights, the Gisèle Pelicot case, morality and grace.
Is PISS touring?
The band was preparing to travel for tour when interviewed by Stereogum. The report does not provide a complete itinerary or confirm whether dates changed after Zantingh lost her voice at a recent show.
Source: stereogum.com
