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Danny Elfman and Filter frontman Richard Patrick discussed upcoming music, film scoring and their creative plans in an interview with Kyle Meredith recorded backstage at Louder Than Life. Elfman said his next album is due in early 2027 and will be paired with a film; Filter’s The Antidote is targeted for the first quarter of 2027.
Danny Elfman and Filter frontman Richard Patrick discussed new albums, film scores and heavier music in separate interviews with Kyle Meredith, recorded backstage at Louisville’s Louder Than Life and published by Consequence. Elfman said his next album is due at the beginning of 2027 and will accompany a film, while Patrick said Filter’s The Antidote is targeted for the first quarter of that year.
Elfman described his upcoming record as an extension of the mix of styles in his live performances, which bring together Oingo Boingo songs, film music and abrasive solo material. He called that combination “a mishmash of my brain.” The new album will be paired with a film featuring Caleb Landry Jones, Slash and Thundercat, which Elfman characterized as “a fanboy David Lynch homage.” The interview did not provide a release date beyond the beginning of 2027.
Elfman also discussed scoring Gus Van Sant’s Dead Man’s Wire, saying he experimented with harp, bass and percussion for the project. Separately, he described listening to Tool’s Fear Inoculum during tattoo sessions, joking that he had heard the album many times without knowing the name of a single song.
Patrick said Filter’s The Antidote grew out of the momentum of The Algorithm and is intended to balance heavy industrial sounds with more melodic passages. He also spoke about A Place to Kill, his project with an industrial sound he summed up as “Skinny Puppy with hooks.” Patrick linked Filter’s sound to Ministry and recalled a friendship with Ministry frontman Al Jourgensen that began during Patrick’s Nine Inch Nails period.
Two 2027 Releases Take Shape
The interviews offer an early look at two distinct projects planned for the first months of 2027. Elfman’s album is being developed alongside a film, combining his work as a composer with his solo music. Patrick’s comments indicate that Filter’s next record will continue from The Algorithm while making space for both forceful and more tuneful material.
The discussion also shows how both artists describe keeping active across different forms of music. Elfman moves between concert sets, solo records and screen scoring; Patrick described film composition as a different kind of work, but said he feels compelled to keep making music. Those accounts provide context for the upcoming releases, though they do not establish final track lists, release dates or other production details.
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From Louder Than Life to Film Work
The interviews were recorded backstage at Louder Than Life in Louisville, where Elfman and Patrick spoke to Kyle Meredith separately. Consequence published the episode in October 2026 as part of the Kyle Meredith With… podcast series. The report directs listeners to the episode on podcast platforms and includes a video option.
Elfman said his return to performing was prompted in part by seeing the screens at Coachella, which made him feel there was “fresh trouble worth making.” His current shows draw on multiple parts of his career rather than focusing on one catalogue. Patrick, meanwhile, cited Ministry’s industrial approach as an influence on Filter and said he watched the band from side-stage before discussing that connection in the interview.
““a mishmash of my brain.””
— Danny Elfman
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Release Details Still Pending
The reported timelines are broad: Elfman said his album is due at the beginning of 2027, and Patrick placed Filter’s The Antidote in the first quarter of 2027. Neither interview, as summarized in the report, gave an exact release date, track list or label information. It is also unclear when the accompanying Elfman film will be released or what its full plot and production details are.
The report identifies Caleb Landry Jones, Slash and Thundercat as participants in Elfman’s film but does not specify their roles. It also does not provide a release schedule or further details for A Place to Kill. The descriptions of the projects and their musical direction are the artists’ accounts, not a review of finished recordings.
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Album Plans Point to 2027
The next expected milestone is the arrival of Elfman’s album and accompanying film, alongside Filter’s The Antidote, both currently described as 2027 releases. No exact dates have been announced in the report. Further information about the projects, including any release plans or additional collaborators, remains to come from the artists or their representatives.
Listeners can hear the full interviews through the Kyle Meredith With… podcast on the platforms listed by Consequence, or watch the video version linked with its report. The episode covers the artists’ new music, film scoring and influences beyond the release details summarized here.
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Key Questions
What did Danny Elfman announce in the interview?
Elfman said his next album is due at the beginning of 2027 and will be accompanied by a film featuring Caleb Landry Jones, Slash and Thundercat. The report does not give an exact release date.
When is Filter’s The Antidote expected?
Richard Patrick said the album is targeted for the first quarter of 2027. No specific day or month was provided.
What is A Place to Kill?
It is a project discussed by Patrick alongside Filter. He described its sound as “Skinny Puppy with hooks” and said his music has been getting heavier.
What film score did Elfman discuss?
Elfman spoke about scoring Gus Van Sant’s Dead Man’s Wire, describing experiments with harp, bass and percussion.
Where can listeners hear the interviews?
Consequence’s report links to the episode on Apple Podcasts, Spotify, Amazon Podcasts and other platforms, and also points to a video version.
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